Selasa, 20 April 2010

[R953.Ebook] Download PDF Information Technology in a Global Society for the IB Diploma: Colour Edition, by Stuart Gray

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Information Technology in a Global Society for the IB Diploma: Colour Edition, by Stuart Gray

Information Technology and Global Society is the first textbook written specifically for the new IB ITGS syllabus, covering IT systems, social impacts and ethical issues, and each area of application. The text provides engaging content that blends clear examples of technical concepts with consideration of social issues. Discussion points for extended independent learning and complete, modern examples are included to enhance teaching and understanding, and ensure students get the best possible experience from the ITGS course. Textbook features include:

  • Clear objectives for each chapter, tied directly to the ITGS syllabus, so you can be sure that all aspects of the course are being covered.
  • Course content is explained through clear and up to date examples, plus historical context.
  • Over 200 varied exercises, mixing ethical discussion points, classroom exercises, practical activities, and exam style questions to cover the syllabus content from a variety of assessment angles. Theory of Knowledge (TOK) links are included, enabling integration with the IB core hexagon.
  • Over 300 diagrams, photographs, and illustrations to bring topics alive.
  • Key language review for every chapter, plus a complete glossary of ITGS terminology.
  • Fully cited examples in every chapter mean students can extend their learning with wider reading—an essential part of IB courses.
  • Online support to extend learning with additional case studies, links, and activities.

  • Published on: 2012-02-24
  • Dimensions: 10.00" h x .36" w x 8.00" l,
  • Binding: Paperback
  • 150 pages

About the Author
Stuart Gray has been teaching in international schools for ten years. He has extensive experience of teaching the IB Information Technology in a Global Society course with a variety of students, including second language learners. In Tanzania he was responsible for planning and implementing the ITGS course for the school's first intake of IB students. He has been an IB examiner and currently works at Academia Brit�nica Cuscatleca in El Salvador.

Most helpful customer reviews

5 of 5 people found the following review helpful.
ITGS Baccalaureate
By Mr. A. Harrison
I bought this book after reading the sample chapter online. Unlike other textbooks I have used, this one is specificly designed for the ITGS syllabus. Students can be sure that if they are learning something from this book, it will be relevant to the course. The IT systems in organisation contains a lot of theory, and students struggle a lot with it, but the sample chapter explained it clearly.
The first chapters are well set up for students with little knowledge of hardware and software. The list off terms at the end of each chapter make it easy to keep track of what you need to know after each topic.
The organisation of chapters makes it easy to teach, starting on any topic - you don't need to follow the book chapter by chapter, though you can if you want. I like the way the author points out common mistakes that students often make in exams.
Each chapter has exercises and revision tasks to help students apply knowledge. I much prefer these to the basic word-matching and gap filling that you find in a lot of textbooks. The books website is useful in that it has extra activities and starter tasks that can be downloaded for free.
One criticism is that the book is only available in black and white, but everything is still clear and this does make it good value and more affordable than a colour book.

1 of 1 people found the following review helpful.
This is definitely getting me a 7!
By Laurie P.
As a recently-started IB student, I believe this textbook is the most accurate, up-to-date resource out there for ITGS students or enthusiasts. I thoroughly recommend it. So far, I have aced all of my practice papers thanks to this material!

0 of 0 people found the following review helpful.
Very informative
By shannon
This is pretty much a condense, comprehensive textbook for the IB ITGS student. Although there is a lot of information, this compactness sometimes detracts from clarity since the important words in bold are not always clearly defined. I find this aspect to be the most annoying, but this book otherwise encompasses everything you need to know. The pictures look a little bit dated, and some of the diagrams are awkward, but this is an overall good book for tying in all the concepts you've learned. If you have some basic understanding before reading this book, then it will be the most helpful to you. Otherwise, you may get a little lost, despite the glossary in the back. I hope this review helps!

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Jumat, 16 April 2010

[P163.Ebook] PDF Download [(The Zebra Finch: A Synthesis of Field and Laboratory Studies)] [Author: Richard A. Zann] published on (July, 1996), by Richard A. Zann

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[(The Zebra Finch: A Synthesis of Field and Laboratory Studies)] [Author: Richard A. Zann] published on (July, 1996), by Richard A. Zann

  • Published on: 1996-07-25
  • Binding: Hardcover

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Kamis, 15 April 2010

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The Scorch Trials (Maze Runner, Book 2), by James Dashner

Read the second book in the #1 New York Times bestselling Maze Runner series that is now a major motion picture and is perfect�for fans of The Hunger Games and Divergent. The first book, The Maze Runner, is also a movie featuring the star of MTV's Teen Wolf, Dylan O’Brien; Kaya Scodelario; Aml Ameen; Will Poulter; and Thomas Brodie-Sangster! Also look for James Dashner’s newest novels, The Eye of Minds and The Rule of Thoughts, the first two books in the Mortality Doctrine series.

Solving the Maze was supposed to be the end.

Thomas was sure that escape from the Maze would mean freedom for him and the Gladers. But WICKED isn’t done yet. Phase Two has just begun. The Scorch.

There are no rules. There is no help. You either make it or you die.

The Gladers have two weeks to cross through the Scorch—the most burned-out section of the world. And WICKED has made sure to adjust the variables and stack the odds against them.

Friendships will be tested. Loyalties will be broken. All bets are off.

There are others now. Their survival depends on the Gladers’ destruction—and they’re determined to survive.

Praise for the Maze Runner series:
A #1 New York Times Bestselling Series
A USA Today Bestseller
A Kirkus Reviews Best Teen Book of the Year
An ALA-YASLA Best Fiction for Young Adults Book
An ALA-YALSA Quick Pick

"[A] mysterious survival saga that passionate fans describe as a fusion of Lord of the Flies, The Hunger Games, and Lost."—EW.com

“Wonderful action writing—fast-paced…but smart and well observed.”—Newsday

“[A] nail-biting must-read.”—Seventeen.com

“Breathless, cinematic action.”—Publishers Weekly

“Heart pounding to the very last moment.”—Kirkus Reviews

“Exclamation-worthy.”—Romantic Times

[STAR] “James Dashner’s illuminating prequel [The Kill Order] will thrill fans of this Maze Runner [series] and prove just as exciting for readers new to the series.”—Shelf Awareness, Starred

"Take a deep breath before you start any James Dashner book."-Deseret News


From the Hardcover edition.

  • Sales Rank: #3721 in Books
  • Brand: Ember
  • Published on: 2011-09-13
  • Released on: 2011-09-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .81" w x 5.50" l, .64 pounds
  • Binding: Paperback
  • 400 pages
Features
  • Great product!

Amazon.com Review
Questions for James Dashner

Q: Where was the worst place you’ve ever been lost or trapped? Did you use Thomas-like ingenuity to figure out the problem?
A: Interesting you should ask that, because The Maze Runner saved my life last Halloween! Ok, not really, but close. My son and I went to a corn maze, and we got lost and stuck. It made me realize how mean I am to my characters! I hadn’t been thinking when we entered and I have to be honest, I wasn’t paying attention. I didn’t think I’d get lost in a Halloween corn maze! But as soon as we realized that we had no idea how to get out I used the trick Thomas learned in the first book--turning right no matter what--and sure enough, we got out. I have a lot more respect for corn mazes now!

Q: The Maze Runner has been compared to other popular YA series like The Hunger Games and The Uglies. What do you think of those series? (And what do you think the draw is to post-apocalyptic societies for YA readers?)
A: First, let me start by saying that I love both of those series a lot! I think everyone is attracted to the idea of a post-apocalyptic society because it’s fascinating to imagine what the future could hold, and scary to know that maybe, just maybe, it could really happen. Although we hope not. Or do we?

Seriously, though, there’s so much that teens today have to deal with. Life isn’t as simple as it used to be with media everywhere at all times. And our country has been at war for a huge part of most teenagers’ lives. It’s a reality that kids face these days, and to see that life could go on could be almost reassuring.

Q: How did you come up with the shuckin’ Gladers’ slang? And have you ever accidentally used it in real life?
A: The slang had several purposes, but mainly it was to give the Gladers' language a different flavor. To show how a community can evolve. Not only is it in the future, but they've been isolated as well.

And on a more realistic note, an unsupervised group of boys would definitely be using language that could begin to take over the story itself. I wanted it to be realistic, but not a glossary of bad language. It would have become limiting for the book in terms of readership and, well, I’m a parent!

Q: What made you decide on a solar flare as a catastrophe (vs. all the other apocalyptic scenarios)?
A: I have to admit, I’m somewhat of an apocalypse buff. When I first started working on The Maze Runner I read an article somewhere about solar flares and I was fascinated. Not only were they a unique idea back then, but it seems completely plausible. Solar flares are natural occurrences, and the cycle for larger flares is again approaching. We’ll be seeing larger flares that really do affect things like communication and space travel. I just took things a little farther.

I also didn't want it to be a nuclear holocaust because I think that's overdone. And it doesn’t seem like we’ll need something that violent anymore to cause our own end. We’ve done a great job of making Mother Nature pretty angry!

Q: One thing that always bugged me: Why couldn’t the Gladers climb up and run around on top of the walls? (At least during the day.)
A: There's a part where Thomas asks Minho about that actually. Minho answers that they've tried it and can't get up that far. The maze has a lot of illusion and technology to make it seem bigger than it is. And I wanted the reader to imagine a maze with walls so high that you could never get to the top.

Q: I’ve heard that The Maze Runner might be made into a movie. If it is, what would you like fans of the book to see up there on the screen? Sometimes literary elements can be lost in translation to film--what’s important for you to remain unchanged?
A: I would love to see a movie made! My biggest hope would be that they cast it well, write it well, and really transfer the mystery of it to the big screen, not just the action. Not much to ask, right?

Q: There are a lot of scenes in the first two books with very graphic violence and death both against and initiated by teenagers--why did you choose to make the brutality so prevalent in a YA series?
A: There is a lot of violence, yes. Next question?

Really, though--I wanted to show what a brutal world it has become, and what a desperate situation the Gladers’ are in, so the reader can understand the stakes. If everything is safe, why would the boys want to leave? I also wanted to blur the lines of what is acceptable to survive in such an environment. We’ve been interested in the idea of survival for as long as we’ve been telling stories. And in modern culture, we’ve gone from Swiss Family Robinson, to Lord of the Flies, to Lost...if there’s no law anymore, who’s to say what’s right and wrong?

Q: You ended The Scorch Trials with a cliffhanger to rival the ending of The Empire Strikes Back. What sorts of things can your readers look forward to in The Death Cure?
A: I just turned in the third book, and I'm very proud of it and excited about it. Every last question is resolved, you see much more of the real world, and the ending is not what people may expect but I'm confident they'll be satisfied with the resolution. And lots of twists and action of course!

From School Library Journal
Gr 7 Up–This dystopian novel begins where The Maze Runner (Delacorte, 2009) ends. Thomas and the rest of the group's escape from the Maze and the horrifying creatures called Grievers has proven to be short-lived because WICKED, the group behind it all, has another trial in store for them. Sun flares have destroyed most of the Earth, and a virus called the Flare has ravaged its population. Infected people turn into zombies called Cranks that attack and eat one other. The kids are told that they have the Flare but if they succeed in surviving the second trial, they will be cured. With few supplies, they must travel across 100 miles of hot and scorched land within two weeks to reach a safe house to receive the cure. When Teresa, Thomas's best friend and the only girl in the group, disappears, and he loses the ability to communicate telepathically with her, he and the other guys determine to find her. As they trek across the barren desert encountering crazed Cranks, the teens' loyalty to one another and the group is tested. The fast-paced narrative and survival-of-the-fittest scenario is reminiscent of Suzanne Collins's The Hunger Games (Scholastic, 2008). Although these characters aren't quite as compelling and their made-up slang takes a little getting used to, each character's personality is distinct. The unresolved ending will leave readers impatiently waiting for the conclusion to the trilogy.–Sharon Rawlins, New Jersey State Library, Trenton. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
The exercise in withholding information begun in The Maze Runner (2009) continues. The boys who had their memories wiped before being dropped into a massive maze have escaped, but they now have to trek across a sunflare-blasted wasteland to get the cure to the insanity disease they’ve been infected with. The wickedly violent action and rush to figure out what’s actually going on help distract from a number of gaping plot holes. Fans will want this one, too, but know that Dashner still has an awful lot of explaining to do in the upcoming finale. Grades 9-12. --Ian Chipman

Most helpful customer reviews

128 of 140 people found the following review helpful.
Killing Time Until The Third Book...
By Ana Mardoll
The Scorch Trials / 978-0-385-73875-0

As full disclosure, I wasn't a huge fan of The Maze Runner - gave it 3 stars, if I recall correctly - but I really love dystopia fiction and I really hate not finishing a series, so my curiosity got the best of me and I picked up The Scorch Trials at my local library, prepared to dive back down into the futuristic mind games perpetuated by W.I.C.K.E.D.

First impressions were initially good - the book starts off a lot faster than "The Maze Runner", with disaster setting in almost immediately after the daring rescue of the first novel. It's nice to see a dystopian future come up with a creative merge of massive global climate change and zombies, and it's especially good that we start the first chapters off with a strong and steady dose of creepy-bordering-on-terrifying.

After the first few chapters, though, the paces slows drastically, and the novel starts to suffer from "middle series syndrome". Despite being out of the Maze and immersed in the "real" world, we actually learn very little of the details of this dystopian future, which makes it very difficult for the reader to connect to the global problems that W.I.C.K.E.D. is supposedly trying to solve, which makes it hard to get attached to these increasingly nebulous "experiments" that are somehow supposed to come up with some kind of cure...for something. Around the halfway mark, it starts to feel like we're killing time to get to the end of the book so that we can then get the THIRD book and find out some actual answers, and after awhile one starts to wonder if the ending will be worth it. And then the reader actually does get to the ending, only to find that really one could skip over this second novel entirely and be none the worse for wear - just like the first book: nothing is explained, everything is a mystery, please buy the next book, kthxbye.

Some of the things I didn't like about "The Maze Runner" the first time around crop up again here. Thomas continues to have more than a whiff of Mary Sue about him; way too much angst is expended on the designated love interests (and, really, I think Thomas has more romantic chemistry with Newt than with either of the two girls provided here); and almost the entire "cast" of Gladers are anonymous red-shirts - in fact, whenever anyone other than Minho, Newt, or Thomas is suddenly granted a name and/or minor personality, it's pretty much a given that they're about to die horribly for insta-angst. I understand that it's difficult to write a group of 20+ well-rounded individuals, but Thomas' continued insistence on not learning the names or personalities of the people fighting and dying around him starts to inadvertently make him seem like a psychopath or - immersion-breakingly - the only important character in a story.

I guess a recommendation for The Scorch Trials depends on your reaction to The Maze Runner; if you loved the first book and want more of the same, this sequel delivers. If you were less than completely enthralled with the first novel, however, and are more interested in answers than in dragging out the Thomas/Theresa love shipping, I'd recommend giving this book a pass and skipping over to the third book entirely. I didn't feel like it was a waste of time reading this novel, and there were definitely several high notes in the first half, but I just can't help but feel that it could be a lot better with a little less ham-handed "mystery" and a little more character development.

A word about the audiobook for this novel: The audiobook is fairly well-narrated. The reader paces and pauses well, although his voice could perhaps be a little more animated during the "action" scenes. My favorite parts are when he speaks as Newt, because he brings out this wonderfully outrageous accent that I suppose is meant to be Scottish. Overall, though, the audio is well done and worth listening to.

~ Ana Mardoll

51 of 59 people found the following review helpful.
It feels just like LOST (the tv series that had a weak ending)
By J. Nakatsuka
I did like the Maze Runner - until the end when the entire construct of a 2 year experiment in a massive artificial environment that involved many deaths of youths seemed largely unjustified and, regardless of money and technology available, totally unrealistic in a post apocalyptic world. To me, after reading the Scorch Trials, it really seemed like Dashner's whole talent is directed at depicting curiosity and suffering simply for the sake of doing so. The story arc is ridiculous - just putting mystery after mystery on top of suffering and pain and then, at the end, trying to patch the story together with a weak explanation of WICKED and its goals. I suppose an angst ridden teen might like this just for the emotional stimulation but as a story, I was just frustrated and annoyed. Reading a spoiler synopsis of the 3rd book didn't encourage me to continue with the series - rather it convinced me to pack it in and move on.

The problem is that the entire story would make much more sense if the experience was taking place inside the minds of the characters as they slept in a Matrix-type storage. But that would be lame. So placing the story in the real world is much better because it defies that cliche. But putting Thomas and his friends through trials that seem like they're from a video game is also ridiculous if the reason for doing so isn't good enough. And the reason for doing so, not to mention the credibility of the resource management required for doing so, isn't good enough.

The justification for the suffering of characters (and we the readers as we empathize with them) isn't nearly good enough to make this a satisfying story.

44 of 52 people found the following review helpful.
Please no more! Make it stop!
By Bookman
Book 1- the Maze runner was awesome. Book 2- The Scorch Trails was painful. James Dashner said in an interview that he came up with the whole story and mapped it out in 2 hours. Nuff said. He had a couple cool ideas, spaced them out over 3 books, and just FILLED and FILLED and FILLED the spaces in between with material that was so stretched out it was as thin as dental floss. I was so mad I actually wanted to punch this book. Dashner can take something as simple as a person taking a bite out of an apple and turn it into an entire chapter. Describing how the apple was eaten, the surroundings, and shade of light, the emotions of the person eating the apple...DASHNER I DONT CARE ABOUT THE APPLE!! LOTS of emotions in this book. Too much to deal with. It got to where I was actually just scanning pages quickly looking for something that might be important. In the first book he developed the characters well and I liked them quite a bit, but in the second book that development ended, and he proceeded to repeat the same emotions of the characters over and over. Dead Horse...comes to mind. The only thing that keeps you reading is that you MUST find out what the heck is going on here, and still....you never find out. I haven't read book 3 yet, but i HAVE TO READ it so I can get some conclusion. Do I want to read it? NO! As far as I'm concerned, book 2 could have been completely eliminated. Skipped. At the end of book 2 we're still at the exact same place as the end of book 1!!!! HAHAHAHA I'M NOT JOKING. I swear it, Dashner, after paying $9 + $9 + $16 for grand total of $34 for these 3 books.....you BETTER deliver with this last book. Otherwise you owe me at least $26 (book 1 was good, I don't mind that I payed for that one).

With all that said, I'm optimistic about book 3. I'm holding it in my hand right now. I want to believe. I notice the back of the book says "THE TIME FOR LIES IS OVER". Well I guess he listened to the reviews. I really really hope that he redeems himself with this book. I will be reviewing book 3 very soon.

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Kamis, 08 April 2010

[A442.Ebook] Fee Download Trent's Last Case, by E. C. Bentley

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Trent's Last Case, by E. C. Bentley

Between what matters and what seems to matter, how should the world we know judge wisely? When the scheming, indomitable brain of Sigsbee Manderson was scattered by a shot from an unknown hand, that world lost nothing worth a single tear; it gained something memorable in a harsh reminder of the vanity of such wealth as this dead man had piled up—without making one loyal friend to mourn him, without doing an act that could help his memory to the least honour. But when the news of his end came, it seemed to those living in the great vortices of business as if the earth too shuddered under a blow.

  • Published on: 2015-06-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .24" w x 6.00" l, .34 pounds
  • Binding: Paperback
  • 106 pages

Review
"One of the few genuine classics of detective fiction."

From the Back Cover
A powerful and ruthless American capitalist is found dead in the garden of his English country house. But why is he not wearing his false teeth? Why is his young widow so relieved at his death? The artist and amateur detective Philip Trent arrives to find that there is more to the case than the solving of a puzzle: he must also accept his own fallibility, in detection and in romance.

About the Author
E.C. Bentley was born in 1875 and educated at St Paul's School, London, where he met eminent critic and author G K Chesterton, who became his closest friend. Bentley began a lifelong career in journalism in 1902, working for ten years on the editorial staff of the Daily News and for a further twenty years on the Daily Telegraph. In 1905, he published 'Biography for Beginners' (under the pseudonym E Clerihew), which was a volume of nonsense verse consisting of four-lines and called 'Clerihews' (in his honour), which became as popular as the limerick form. Two further volumes followed in 1929 and 1939. Bentley's masterpiece, 'Trent's Last Case' (1913), was written in exasperation at the infallibility of Sherlock Holmes and marked the beginning of a new era in detective fiction. Indeed, it has long been hailed as marking the start of the 'Golden Age of Crime Fiction' and the first truly modern mystery. The sequel, 'Trent's Own Case', did not appear for a further twenty three years and this was then followed by a book of short stories; 'Trent Intervenes'. Of 'Trent's Last Case' Agatha Christie wrote: 'One of the three best detective stories ever written', whilst Dorothy L Sayers stated 'It is the one detective story of the present century which I am certain will go down to posterity as a classic. It is a masterpiece'.

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18 of 18 people found the following review helpful.
Good, old-fashioned mystery
By C. Woelke
This is a wonderful, old-fashioned book, where the language is complex and clever, and honorable people recognize other people of honor at a glance. The plausible (and implausible) explanations of the mystery are intriguing. It's a lot of fun!

19 of 20 people found the following review helpful.
The First "Modern" Mystery Novel
By Gary F. Taylor
Scholars consider it the first modern mystery novel. Agatha Christie called it "one of the three best detective stories ever written;" G.K. Chesterton went further, calling it "the finest detective story of modern times." The ever-erudite Dorothy Sayers flatly stated that every mystery novelist owed something to "its liberating and inspiring influence." Today, however, the vast majority of the reading public has never even heard of it.

The novel, of course, is E.C. Bentley's TRENT'S LAST CASE. By most accounts, Bentley wrote the book on a dare--much as Agatha Christie would later write THE MYSTERIOUS AFFAIR AT STYLES. When financier Sigsbee Manderson is found murdered at his country home, a London newspaper dispatches part-time artist, part-time journalist Trent to the scene. Within three days Trent cracks the case... or so he thinks. But is his solution correct? Or will it result in a terrible miscarriage of justice?

From a 2005 standpoint, TRENT'S LAST CASE is not a remarkable novel. Published in 1913, it feels overwritten, wordy, more Victorian in style than modern--and while the plot itself is interesting, it hardly compares to the unexpected twists offered by the very writers who so praised it and who were so influenced by it. But the fact remains that it was the first: Poe may have created the detective story and such writers as Doyle, Collins, and Dickens may have wrung romantic changes upon the theme, but it really wasn't until TRENT'S LAST CASE that the mystery novel as we presently think of it was born.

Most contemporary readers will likely find Bentley's style tough going, and although extremely influential the triple-twist plot has been done with considerably more drama in later novels. But say what you like, TRENT'S LAST CASE really is "the first," and that counts for a lot. Worth reading for the history of it!

GFT, Amazon Reviewer

15 of 15 people found the following review helpful.
One of the best.
By A Customer
A stupendous mystery; one of the best I have ever read. Fans of Christie or Chesterton will thoroughly enjoy it. To say more might give something away, so I will not.

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Sabtu, 03 April 2010

[L879.Ebook] PDF Download Jean Rhys and the Novel As Women's Text, by Nancy R. Harrison

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Jean Rhys and the Novel As Women's Text, by Nancy R. Harrison

Is a woman's writing different from a man's? Many scholars -- and readers -- think so, even thought here has been little examination of the way women's novels enact the theories that women theorists have posited. In Jean Rhys and the Novel as Women's Text, Nancy Harrison makes an important contribution to the exchange of ideas on the writing practice of women and to the scholarship on Jean Rhys.

Harrison determines what the form of a well-made women's novel discloses about the conditions of women's communication and the literary production that emerges from them. Devoting the first part of her book to theory and general commentary on Rhys's approach to writing, she then offers perceptive readings of Voyage in the Dark, an early Rhys novel, and Wide Sargasso Sea, Rhys's masterpiece written twenty-seven years later. She shows how Rhys uses the terms of a man's discourse, then introduces a woman's (or several women's) discourse as a compelling counterpoint that, in time, becomes prominent and gives each novel its thematic impact. In presenting a continuing dialogue with the dominant language and at the same time making explicit the place of a woman's own language, Rhys gives us a paradigm for a new and basically moral text.

Originally published in 1988.

A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

  • Sales Rank: #4947242 in Books
  • Published on: 1988-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.10" h x 6.30" w x 9.48" l,
  • Binding: Hardcover
  • 312 pages

Review
Harrison's critical analysis of Jean Rhys's novels brings together an assessment and restatement of some important feminist literary criticism as grounding and preparation for a novel-by-novel discussion of Rhys's writing. Unlike some other recent critics of Rhys, Harrison is concerned, first of all, to make clear the nature of writing in its connection with gender issues. Only after defining texts in relation to such considerations does she go on to consider previous critical readings of Rhys, including V.S. Pritchett's and others. Harrison notes that Rhys, like other women writers, has been read by critics and reviewers against a canon shaped by male values. . . . The close readings of the novels follow. To sense the force of those readings, however, one should first give a close reading to Harrison's early chapters, which lay the groundwork for her critical readings and interpretations." --Choice



Harrison's most original contribution to the study of Rhys's work is in her powerful demonstration of the tragic incompatibility of Antoinette and Rochester in Wide Sargasso Sea. . . . Many new directions are suggested . . . by Harrison's impressive appraisal of Rhys's work. . . . [T]he book as a whole is powerfully suggestive, putting Rhys firmly on the map of women writers whose work amply repays painstaking critical attention." --Times Literary Supplement

Review
Brilliant as textual analysis, provocative as a contribution to feminist aesthetics, [this book] makes the narrative strategies of women novelists speak their politics.--Betsy Draine

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[E435.Ebook] Download Americanization of Emily, by William Bradford Huie

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Americanization of Emily, by William Bradford Huie

  • Sales Rank: #390932 in Books
  • Published on: 1964-11-01
  • Released on: 1964-10-01
  • Original language: English
  • Dimensions: 5.00" h x 1.00" w x 7.00" l,
  • Binding: Mass Market Paperback
  • 128 pages

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4 of 4 people found the following review helpful.
A great film.
By C. R. Crowell
Bought and read the book which confirmed that Paddy Chaefsky was a genius and the film of the same title was largely Chavefsky's work, thinly based on the plot of the book. If you get the dvd of the film listen to the director's comments- which I found fascinating. A great film.

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Kamis, 01 April 2010

[E977.Ebook] Ebook Download Extremely Loud: Sound as a Weapon, by Juliette Volcler

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Extremely Loud: Sound as a Weapon, by Juliette Volcler

In this disturbing and wide-ranging account, acclaimed journalist Juliette Volcler looks at the long history of efforts by military and police forces to deploy sound against enemies, criminals, and law–abiding citizens. During the 2004 battle over the Iraqi city of Fallujah, U.S. Marines bolted large speakers to the roofs of their Humvees blasting AC/DC, Eminem, and Metallica songs through the city’s narrow streets as part of a targeted psychological operation against militants that has now become standard practice in American military operations in Afghanistan. In the historic center of Brussels, nausea-inducing sound waves are unleashed to prevent teenagers from lingering after hours. High-decibel, “nonlethal” sonic weapons have become the tools of choice for crowd control at major political demonstrations from Gaza to Wall Street and as a form of torture at Guant�namo and elsewhere.


In an insidious merger of music, technology, and political repression, loud sound has emerged in the last decade as an unlikely mechanism for intimidating individuals as well as controlling large groups. Extremely Loud documents and interrogates this little-known modern phenomenon, exposing it as a sinister threat to the “peace and quiet” that societies have traditionally craved.

  • Sales Rank: #227033 in Books
  • Brand: Brand: New Press, The
  • Published on: 2013-06-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x .90" w x 5.70" l, .75 pounds
  • Binding: Hardcover
  • 208 pages
Features
  • Used Book in Good Condition

About the Author
Juliette Volcler is a producer and journalist for French independent radio, as well as a regular contributor to independent newspapers. She lives in Paris. Carol Volk has translated over three dozen books from the French. Her work has appeared in the New Yorker and other literary publications. She has spent the last decade in the U.S. Foreign Service and currently lives in Chevy Chase, Maryland.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Good Resource
By Jim Morford
It doesn't cover any fresh theoretical or analytical ground, but this book provides a good historical summary of the weaponization of sound in the 20th and early 21st centuries. Although scholarly, the writing has energy and mostly avoids humanities-style impenetrability. Careful citations and good footnotes point the interested reader toward more thorough studies. While I haven't read the original French, I don't imagine that much was lost on the way over to English. Pretty good!

1 of 1 people found the following review helpful.
Great food for thought
By Nathan Durham
Great food for thought.... Really HITS HOME. Could definitely see the Barney theme "I Love You" being used in conjunction with Led Zeppelin's "Whole Lotta Love" as part of some guilt driven psy-war campaign. Call NSA, dgaf.

1 of 2 people found the following review helpful.
Good source of information
By Ramiz Shehadi
I like very much the sources of information on the subject!

See all 4 customer reviews...

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