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In this disturbing and wide-ranging account, acclaimed journalist Juliette Volcler looks at the long history of efforts by military and police forces to deploy sound against enemies, criminals, and law–abiding citizens. During the 2004 battle over the Iraqi city of Fallujah, U.S. Marines bolted large speakers to the roofs of their Humvees blasting AC/DC, Eminem, and Metallica songs through the city’s narrow streets as part of a targeted psychological operation against militants that has now become standard practice in American military operations in Afghanistan. In the historic center of Brussels, nausea-inducing sound waves are unleashed to prevent teenagers from lingering after hours. High-decibel, “nonlethal” sonic weapons have become the tools of choice for crowd control at major political demonstrations from Gaza to Wall Street and as a form of torture at Guant�namo and elsewhere.
In an insidious merger of music, technology, and political repression, loud sound has emerged in the last decade as an unlikely mechanism for intimidating individuals as well as controlling large groups. Extremely Loud documents and interrogates this little-known modern phenomenon, exposing it as a sinister threat to the “peace and quiet” that societies have traditionally craved.
- Sales Rank: #227033 in Books
- Brand: Brand: New Press, The
- Published on: 2013-06-04
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x .90" w x 5.70" l, .75 pounds
- Binding: Hardcover
- 208 pages
- Used Book in Good Condition
About the Author
Juliette Volcler is a producer and journalist for French independent radio, as well as a regular contributor to independent newspapers. She lives in Paris. Carol Volk has translated over three dozen books from the French. Her work has appeared in the New Yorker and other literary publications. She has spent the last decade in the U.S. Foreign Service and currently lives in Chevy Chase, Maryland.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Good Resource
By Jim Morford
It doesn't cover any fresh theoretical or analytical ground, but this book provides a good historical summary of the weaponization of sound in the 20th and early 21st centuries. Although scholarly, the writing has energy and mostly avoids humanities-style impenetrability. Careful citations and good footnotes point the interested reader toward more thorough studies. While I haven't read the original French, I don't imagine that much was lost on the way over to English. Pretty good!
1 of 1 people found the following review helpful.
Great food for thought
By Nathan Durham
Great food for thought.... Really HITS HOME. Could definitely see the Barney theme "I Love You" being used in conjunction with Led Zeppelin's "Whole Lotta Love" as part of some guilt driven psy-war campaign. Call NSA, dgaf.
1 of 2 people found the following review helpful.
Good source of information
By Ramiz Shehadi
I like very much the sources of information on the subject!
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