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Christine Falls: A Novel (Quirke Book 1), by Benjamin Black
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In the debut crime novel from the Booker-winning author, a Dublin pathologist follows the corpse of a mysterious woman into the heart of
a conspiracy among the city's high Catholic society
It's not the dead that seem strange to Quirke. It's the living. One night, after a few drinks at an office party, Quirke shuffles down into the morgue where he works and finds his brother-in-law, Malachy, altering a file he has no business even reading. Odd enough in itself to find Malachy there, but the next morning, when the haze has lifted, it looks an awful lot like his brother-in-law, the esteemed doctor, was in fact tampering with a corpse—and concealing the cause of death.
It turns out the body belonged to a young woman named Christine Falls. And as Quirke reluctantly presses on toward the true facts behind her death, he comes up against some insidious—and very well-guarded—secrets of Dublin's high Catholic society, among them members of his own family.
Set in Dublin and Boston in the 1950s, the first novel in the Quirke series brings all the vividness and psychological insight of Booker Prize winner John Banville's fiction to a thrilling, atmospheric crime story. Quirke is a fascinating and subtly drawn hero, Christine Falls is a classic tale of suspense, and Benjamin Black's debut marks him as a true master of the form.
- Sales Rank: #240267 in eBooks
- Published on: 2007-03-06
- Released on: 2007-03-06
- Format: Kindle eBook
From Publishers Weekly
In this expertly paced debut thriller from Irish author Black (the pseudonym of Booker Prize–winner John Banville), pathologist Garret Quirke uncovers a web of corruption in 1950s Dublin surrounding the death in childbirth of a young maid, Christine Falls. Quirke is pulled into the case when he confronts his stepbrother, physician Malachy Griffin, who's altering Christine's file at the city morgue. Soon it appears the entire establishment is in denial over Christine's mysterious demise and in a conspiracy that recalls the classic film Chinatown. And the deeper Quirke delves into the mystery, the more it seems to implicate his own family and the Catholic church. At the start, the novel has the spare melancholy of early James Joyce, describing a Dublin of private clubs, Merrion Square townhouses and the occasional horse-drawn cart; as the plot heats up and the action shifts to Boston, Mass., it becomes more of a standard detective story. Though Black makes an occasional American cultural blooper, he keeps divulging surprises to the last page so that the reader is simultaneously shocked and satisfied. Author tour. (Mar.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Bookmarks Magazine
Christine Falls may be Benjamin Black's debut crime novel, but it's not his first book: Black is the nom de plumeof John Banville, the Booker Prize?winning author of The Sea (****1/2 Jan/Feb 2006). As expected, Banville's lyrical writing stands out (and is more accessible than in The Sea), but the expressive style doesn't eclipse the dark, suspenseful plot. Set during the all-powerful reign of the Catholic Church, the novel touches on themes of sexual repression, grief, and lost opportunities. Readers expecting a fast-paced crime novel may initially be surprised by Banville's slow, deliberate rendering of the plot and the complex characters—but they will certainly look forward to the next novel in this projected series.
Copyright � 2004 Phillips & Nelson Media, Inc.
From Booklist
Benjamin Black is really Booker Prize winner John Banville, and Christine Falls is his inaugural volume in a crime series starring Quirke, a lonely, hard-drinking Dublin pathologist. An orphan, Quirke was raised by a socially prominent Catholic judge, and his brother-in-law is Malachy Griffin, Dublin's most prominent obstetrician. Quirke is surprised and suspicious when he finds Mal in the morgue, late at night, writing a death certificate for one of Quirke's new arrivals, a young woman named Christine Falls. He performs an autopsy and learns that Mal's statements about the cause of death are patently false, prompting him to begin an investigation into what unfolds as a monstrous, transcontinental scandal orchestrated by pillars of Dublin's Catholic society. Christine Falls is deeply atmospheric. Clydesdales drag drays through the streets of 1950s Dublin, and the pubs are "fuggy with turf smoke." Nearly all the characters are painstakingly detailed and developed--even though they're likely to be morally mysterious. But readers' advisors should take note: crime-fiction fans who favor garden-variety mysteries may find this complex and deeply ruminative novel more than they bargained for. Thomas Gaughan
Copyright � American Library Association. All rights reserved
Most helpful customer reviews
0 of 0 people found the following review helpful.
The atmosphere for the story is beautifully written, the story inadequate in human interest
By Marie Blanchard
The atmosphere for the story is beautifully written, the story inadequate in human interest.
The protagonist is an alcoholic pathologist, pretty much a cad we must conclude after reading 2/3 of the
book. He is as devoid of natural light as the hospital basement in which he works. Unfortunately I like the people about
whom I spend time reading about to have at least one or two sympathetic parts to their personalities.
The most interesting characters to me were the young woman and her husband who receive the
smuggled newborn from Ireland. The only violence that seemed adequately motivated, or at least
real for the type of personality using it, was the shaken baby death and the rape later perpertrated by the
male half of the couple.
2 of 2 people found the following review helpful.
A bit disappointing
By zita webb
Christine Falls had all it neded to be a very good read: It is set in a time in history when The Irish are dirt poor, in need of help and are being exploited for it. 'The Irish are like rats. There's one six feet from wherever you happen to be.' In other words, they are expendable...especially the children who are not able to protect themselves from
'do-gooder predators'.
We see such Irish Catholic youngsters being exploited in similiar ways even today.
With such a tale to be told it had it all going for it but ...'No!'
The writing was clumsy. In many aspects the characters weren't drawn as believable. They made 'out-of-character' decisions to take the plot from A to B. I found this happened more as the book came to an end. It wasn't a 'conclusion' that rang true for most of the characters.
Many aspects of the plot went nowhere...the letter that was written and posted. This led nowhere really and didn't add to the story as ven a 'red herring'.
I belong to a book club here in Australia and we all had pretty much the same opinion.
1 of 1 people found the following review helpful.
1950s Secrets
By Karen J. Dahood
A looming and somber man driven by a cloud of questions leads the reader of CHRISTINE FALLS into the gloom of 1950s Irish Catholicism. There are secrets in the pathologist's morgue, in his family, in the Church, and in his soul. Quirke's unraveling of the story of baby smuggling from Dublin to Boston, though relentlessly tragic, is told in brilliant prose. The words chosen have such precision that images glow on the page. For example, there are these: "a version of the Sphinx: high, unavoidable, and monumentally ridiculous" -- "frost smoke" -- "a leaden line in front of lavender-tinted fog" -- "grinning in that way she did when she was excited, showing her upper gums" -- "old brown paintings" -- "black birds spurted raggedly from behind the rooftops and twirled..." -- "the gaunt hospital room reminded him of the inside of a skull...."
This writing talent presented as that of "Benjamin Black" belongs in fact to John Banville, a Booker Prize winning author (2005, THE SEA). CHRISTINE FALLS debuts a new branch of his work, a series featuring the pathologist Quirke. Categorized by the publisher as a "psychological novel," it is also called a "new kind of crime novel" and a "suspense novel." In my mind, it also belongs to historical realism, even the emotions of the characters, reminiscent of late 1940s films like THE SNAKE PIT and JOHNNY BELINDA, which commented on shortcomings in institutions without being documentary. Analyses aside, the novel is enjoyable for its well-drawn characters, so deeply motivated by personal circumstances to make a transition from poverty stricken Ireland to a bright and promising United States. It was not as easy as one might think.
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