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Art History: The Basics, by Diana Newall, Grant Pooke
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Art History: The Basics is a concise and accessible introduction for the general reader and the undergraduate approaching the history of art for the first time at college or university.
It will give you answers to questions like:
- What is art and art history?
- What are the main methodologies used to understand art?
- How have ideas about form, sex and gender shaped representation?
- What connects art with psychoanalysis, semiotics and Marxism?
- How are globalization and postmodernism changing art and art history?
Each chapter introduces key ideas, issues and debates in art history, including information on relevant websites and image archives. Fully illustrated with an international range of artistic examples, Art History: The Basics also includes helpful subject summaries, further ideas for reading in each chapter, and a useful glossary for easy reference.
- Sales Rank: #601934 in Books
- Published on: 2007-12-15
- Released on: 2007-11-21
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .65" w x 5.08" l, .65 pounds
- Binding: Paperback
- 288 pages
Review
'Invaluable to the emerging art historian... refreshing and realistic... For those thinking of studying art history in the West today, this guide will serve as an invaluable signpost.'�- The Art Book
About the Author
Grant Pooke lectures in the History & Philosophy of Art at the University of Kent. He is co-author of Teach Yourself Art History (2003) and the author of Francis Klingender 1907–1955: An Iconographer Out of Time (2007).
Diana Newall completed her doctoral studies at the Courtauld Institute of Art. Previously an authoring consultant for the Open University’s Teach&Learn project, Diana works as a freelance lecturer and writer.
Most helpful customer reviews
15 of 17 people found the following review helpful.
Exceptional and far from basic
By Luca Graziuso and Marina Ross
Grant Pooke (History and Philosophy of Art at Kent University) and Diana Newall (previously an authoring consultant for Open University Teach&Learn Project) have put together a concise and intellectually subtle survey of major thinkers and movements. The book starts off on the thin side, expounding in a note format the more basic methodologies that have populated the critical landscape, but it soon proceeds to fashion a veritable journey through ideas and thinkers which have mystified the lot of writers out there who devote themselves to a commercial, democratic project such as this. In other words when the authors discuss semiotics and poststructuralism, post-marxism, T.J. Clark, or representations of gender, they assume the role of a professional teacher that seeks to explain while demanding of himself or herself to impart understanding to its audience. When it is impossible to do justice to a thinker or an artist (such as Adorno or Gerhadt Richter) they give just enough inofrmation to illustrate the relevance they had on Art History, and do so with such penetrating insights as to leave any perplexing questions in its proper perspective and within a responsible vantage point. When they can, and this happens much too often given the space they operate within, they offer exceptional readings that in a nutshell give the full panoply of the impact and wisdom of such art critics as T.J. Clark, Hal Foster, Linda Nochlin, Chasseguet-Smirgel, Baudrillard, Mulvey, Danto and Lyotard (to be honest they leave something to be desired in repsects to the October school of Art critics, but they do incorporate them just enough). They dabble just fine into Charles Sanders Pierce and Lacan - a sucess worth thebook on its own accord.In essence this is an invaluable compendium of theorists and ideas that reads fluidly and may well substitute for thousands of dollars spent on a University Course. And they give a very instructive reading of many artists (such as Smithson, Jago Max Williams, Jacques-Louis David, Judy Chicago, Eduard Manet, Duchamps, Malevich, George Dannatt, Kapoor, Koons amongst others). One should receive credits for reading the book. Yes it is that good. If you haven't the time to devote years to reading all the thinkers and movements they touchupon, do pick this book up and devote a week to it. It will soon lay by your bedside and increase your understanding of the topic exponentially. And this comes from someone who has devoted years to reading most all the critics and artists they discuss. An excellent introduction and an even better survey that gives direction and disseminates possible readings.
7 of 7 people found the following review helpful.
Good intro
By Caelestis
This book is my first exposure to modern art histories. I am not an academic nor enrolled student; just a curious layperson. After reading this, I am more than just curious, I thirst for more.
The book throws out a lot of names and complicated ideas. It scratches the surface enough to give the flavor of the contours of thought in this complex discipline and enough to leave me wanting more. Fortunately, each chapter contains a descriptive further reading section—this book is going to sell books by other authors.
This book will remain my overall bibliography and starting guide for years to come as I delve further into art history, or rather, art histories.
5 of 5 people found the following review helpful.
Decoded!
By Mywhitelighter
The Basics offers exactly what it claims to offer--a quick and dirty breakdown of the theories of art history at their most basic. It is a fantastic tool and starting point (STARTING point, it does require some work on the part of the reader when it comes to fleshing out some of the content). Perfect for students, I loved it.
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